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Reception interior
Read 3771 times
April 22, 2010, 01:00:31 PM
Hi,

I used the internal luminace point in the interior of the camera view without shadows and global luminance SUN and SKY with shadows. Materials are predominantly reflections, so the rendering took longer - nine hours in PNG 1000x2000px. Rendered in render styles.

Majo

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April 22, 2010, 01:57:13 PM
#1
That's a nice design Majo. A beautiful render too.

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BradE [ dean3Design ]
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April 22, 2010, 02:12:27 PM
#2
Very beautiful environment, Majo. Nice work all around.

I am curious. With such long render times - how do you ensure beforehand that it is going to be just right. One would hate to come to the end of the render to find out that something wasn't what was intended and have to rerender.


April 22, 2010, 02:33:39 PM
#3
Very beautiful environment, Majo. Nice work all around.

I am curious. With such long render times - how do you ensure beforehand that it is going to be just right. One would hate to come to the end of the render to find out that something wasn't what was intended and have to rerender.

Thanks.
First, rendering the whole scene into a small window, about one quarter the size of the display, if this is OK, so rendering to JPG or PNG file. In this project took to render the window for about an hour and a half. Alternatively, only rendering the empty room that I saw the light set.

Majo

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April 22, 2010, 02:34:08 PM
#4
That's a nice design Majo. A beautiful render too.

Thanks Brad

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* April 22, 2010, 07:25:41 PM
#5
Majo, I like the feel of this interior, nice choice of print for the wall and I love the pennant lighting. It would be cool to see a luminance inside the lighting for that effect. Very nice work!

Steve


April 23, 2010, 10:33:06 AM
#6
More artistry from a true artist. Majo your renderings just spell bound me. Great job & keep up the good work.

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April 24, 2010, 09:36:36 PM
#7
Another great one Majo, design and rendering.  The chrome tube table and chair bases look so realistic.
Haha, we'll all whip this program into shape !
Steve

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